Ultimately to work on Black Blood and now this is a blessing, as this plays the inerlude of the first book that’s a "favorite" of me escaping. For most it’s during childhood and teen years of us learning that a sound can pull you from reality.

The last music collaborated with Blade Runner: I figured this time with my second novel “Quantum City” (an interlude into Vol.2 of Black Blood), to approached the score's composition with a "fresh" perspective, "just from the book".

The goal is to go one step further into opening, closing, walking, rain, thunder, birds, bells, blowing of the wind, tools and metals blending into the feeling of every word that is placed over a instrumental that will lock you into a world outside of the current one we call reality.

Dec. 20 2025 i started, so i did spent "months and months creating more and more new instruments w/ Textur’s help (of course)" over created sounds to the words already written, to accompany that feeling of defining each moment in a chapter of a unforgettable story.

The creating, and seeking of new sounds was a headached to the pull was from the feeling being linked to movies that made me feel the way i want each character of the story to feel. While pushing the envelope, it made me write more into what sound i wanted to create next from being directly outside of what was done on my last projects. The composer augmented of human voices was created away from AI due to most of the characters being real people in this tale of mixed sounds, that go in emotional stages before pulling you out of each chapter, being further from eerie to an other-worldly experience score.

(This has never been done in history until now!)